Synthesis
Grafting onto
“Grafting-onto” involves the chemical reaction preformed, functionalized polymers with surfaces containing complementary functional groups
Grafting from
‘‘Grafting-from’’ involves an in situ polymerization of an initiator functionalized surface with monomer.
Grafting onto
“Grafting-onto” involves the chemical reaction preformed, functionalized p
is five.
They are working together on PEARLs doll; PEARL is dressing her, while
JOHN gets on a difficult shoe.
PEARL
Stand still, Miss Jenny!
JOHN
(across her)
There! Whats so hard about that?
He proudly exhibits the shod foot.
They hear the sound of an auto engine o.s. They look o.s. and get up, PEARL
dangling the doll.
LONG SHOT -- OVER THE CHILDREN -- BEN HARPERS FORD
A Model-T Ford ap
"WHO SHOT ROGER RABBIT?"
(working title)
Written by
Jeffrey Price and Peter S. Seaman
THIRD DRAFT
September 2, 1986
WHO SHOT ROGER RABBIT?
This movie starts the way all movies should... with a
cartoon. Its not a Disney or a Warners. Its not a
Fleischer, an MGM, or a Lanz. This is a lesser known
studio.
FADE IN:
ON A "MAROON CARTOON"
Accompanied by zany CARTOON MUSIC, the TITLE CARD reads:
MAROON
Krypton, is empty for the moment. But the signs of its members are ever-present: around the great floating slab that is their conference table each has his (or her) own console of crystals - a transparent container marked with the identifying insignia, c.f. the symbols on each of their robes in Part I.
As Non and Ursa follow two paces behind. Zod strides along the slab, ignoring console after con
Of glowing honey-colored stones. Their shapes ABSTRACT as THE CAMERA EXAMINES air bubbles and crystalline patterns.
MOVING UP AND OVER this amber abstraction, the CAMERA FINDS unusual shapes and imperfections caught in the glassy stone: flecks of dirt, hairs, cracks. STILL MOVING. STARBURSTS OF LIGHT ricochet off the different surfaces of the stones.
CAMERA TURNS along a creamy stretch of amber.
A beautiful golden sun is setting. The sky is on fire. The CAMERA starts to move downwards. A large neon sign rises into shot. It rests on top of a skyscraper and fills the frame. The building is neither past nor future in design but a bit of both.
Slowly we pan downwards revealing the city that spreads below... A glittering conglomeration of elevated transport tubes, smaller square buildings wh
PAN DOWN TO A ROW OF 몷TELLERS몶 CAGES몸 with long lines of PEOPLE waiting to collect their unemployment checks. A sign above the first window says 몷A - F몸, the second window is designated 몷G - L몸 and so on.
CLOSE ON THE SECOND WINDOW -- Waiting his turn at the head of the line is a BLACK MAN in his early 30몶s. He kills time by trying to make a beat-up old wooden yo-yo perform the ba
Starship Troopers
??
Screenplay by Edward Neumeier
Based on the novel by Robert Heinlein
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1 FROM THE FEDERAL NET -- NOTICE -- JOIN UP NOW !
??
Proud YOUNG PEOPLE in uniform, the bloom of human evolution.
YOUNG PEOPLE
Im doing my part... Me, too...
Are you ?
The mobile infantery logo: LIGHTNING BOLTS ON A BLACK SHIELD.
OFFICIA
GONE IN 60 SECONDS
by Scott Rosenberg
4/6/99
"I wonder," Toad said to himself presently, "I wonder
if this sort of car starts easily?"
Next moment, hardly knowing how it came about, he
found that he had hold of the handle and was turning
it. As the familiar sound broke forth, the old
passion seized on Toad and completely mastered him,
body and soul ... He increased his pace, and as the
car devour
THE WILLIAM MUNNY KILLINGS
INT. ALICES ROOM - NIGHT
NIGHT IN ALICES ROOM. A little bit of moonlight coming in
through the tiny window might make a highlight here and
there but thats about all. Words begin to crawl across the
screen:
WRITTEN WORDS (crawl)
Of good family, albeit one of
modest means, she was a comely
young woman and not without
prospects. Therefore it was at
once heartbreaking and a